Piotr Ilytich Tchaikovsky’s “1812” Essay

Composed by internationally-know real musician, Piotr Ilytch Tchaikovsky, the classical music piece 1812 antenna in E Flat Major, Op. 49, reflects the French invasion in Russia which was neer victorious. With its full title, The Year 1812, Op. 49 French Ouverture Solonelle), the classical music also implies the withdrawal of Napoleon in 1812 during the Napoleonic Wars. The melodic pieces in the opus display close to underlying themes which made it more fire tone, rhythm, harmony, and variance. The tone unparalleledly displayed the varying install all through out the musical comedy piece. This is manifested by the high pitch and piteous pitch that could be observed in the piece. The combination of the different pitches made the musical piece interesting to listen to. Meanwhile, separate interesting about the musical elements reach in the composition is its rhythm. Tchaikovsky used unique sound re fork upations in the composition, some of which ar the horns and the firing of the shanks. Another musical element is harmony. Despite the different pitches and rhythm present in the piece, the harmony of the musical notes and instruments that ar used appear to be in agreement with each other no out-of-place tunes could be observed, I think. Lastly, the form of the musical piece is also worth noting. The form which tells about the over-all structure of the musical composition is also outstanding. The combination of the musical notes, tempo, tone, and the other elements came out smoothly. In addition, the 1812 Overture became known for its real cannon fire effects when it is performed live in outdoor events. Meanwhile, if the murder has to be done indoor, the orchestras use sounds representing the cannon fire through computer-generated sounds.Tchaikovsky entered the St. Petersburg Conservatory where he realized his true calling in the field of music. After some years, he later moved to another hothouse where he met a group of Russian composers. T hose Russians were known to be nationalist which evenhandedly inspired Tchaikovsky in his second unison entitled, The Little Russian. Being known as not sufficiently Russian and cosmopolitan, he was later rejected by this group.In 1880, Nicholas Rubenstein, Peter Illych Tchaikovskys mentor, suggested to Peter that a striking celebratory piece should be composed for festivities. The piece was to be presented in the square near the cathedral, with the accompaniment of a magnificent orchestra, cathedral bells and live cannon fire to attain the exactness stipulated by the musical score in which both shot was written exclusively (Lampson, 1999). propagationLampson, D. (1999). Piotr Ilyitch Tchaikovsky. Retrieved April 12, 2007, from http//www.classical.net/music/comp.lst/works/tchaikov/1812.html